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Documentary; average rating: 7,1 of 10; liked It: 24 votes; writer: Mark Bozek; Runtime: 1 Hours 14 minutes; Summary: A new feature film documentary about legendary NYTimes photographer Bill Cunningham. The times of bill cunningham anna. The times of bill cunningham trailer. The Times of Bill cunningham new york. He gay as heeellll, nothing wrong with that but dont string a woman along. The pentax 67 with 105mm lens is a great combo. didnt knew he used that camera.

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The times of bill cunningham. The times of bill cunninham. The Times of Bill cunningham dance. Reviews of the times of bill cunningham. I watched this on Netflix streaming last night. I was struck that Bill Cunningham is such an extreme observer that he doesn't even really live his own life to the fullest. Wth... why stressing so much for them. I'm always super anxious while watching this show 😓.

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I rather hear his story more. Omfg is that Mr. Darcy. The times of bill cunningham streaming. Pictures of strange people at gay parades don't exactly encompass everyone. The Times of Bill cunningham new. Mario Testino was a terrible photographer. Bill is freaking HILARIOUS 😂. “No one knows much about you” I think that depends on the audience 🤩 ITS ANNA WINTOUR. The times of bill cunningham where to watch. The times of bill cunningham showtimes. The times of bill cunningham trailer 2020. The times of bill cunningham rotten tomatoes. The Times of bill cunningham. The only one singer that had The Eagles as Backup Band. The Times of Bill cunningham dance company. The times of bill cunningham watch online.

Keep slaying, gurl! The haters gunna hate <3. The times of bill cunningham documentary netflix. The times of bill cunningham shirt. The times of bill cunningham nyff. The times of bill cunningham mark bozek. The times of bill cunningham film. The times of bill cunningham netflix. So Taye bout to be damn Uncle Daddy 😂😂😂😂 that's cray cray. YouTube. I quite like this guy. From a style perspective yuck.

I really really love watching these videos. She was so much more game than other people who've done this.

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Bill Cunningham, the New York Times’ intrepid, bicycle-riding style photographer, was as much of a New York institution as the Empire State Building or Lady Liberty, at least among the fashion set. But while he seemed to know everyone and be everywhere at once, he revealed little about himself. Since Cunningham died at age 87 in 2016, several books have been published about him, one a posthumous memoir. On February 14, The Times of Bill Cunningham will premiere at the Angelika Film Center in Manhattan. A more perfect coda to New York Fashion Week cannot be imagined. (Considering how beloved Cunningham is, the synchronicity with Valentine’s Day is pretty great, too. ) Few people have ever been more passionate about and committed to fashion than Cunningham. Hollywood was never his focus, “I felt the dream factory was in fashion, ” he says in the film. Written and produced by Mark Bozek and narrated by Sarah Jessica Parker, The Times of Bill Cunningham is a remarkable, intimate document of a sensitive and talented man⁠ who had an extraordinary sense of empathy and who managed to retain through all of his years, a pure, childlike sense of wonder. Artist Ruben Toledo describes him as “one of our landmark guardian angels. ” Jospehine Baker and Marisa Berenson, 1973. Photo: Bill Cunningham / Licensed to The Times of Bill Cunningham from the Cunningham Estate In 1994 Bozek met up with Cunningham for what was supposed to be a 10-minute interview; it lasted until the tape ran out, four hours later. “I did not set out to make a ‘fashion documentary, ’ ” says Bozek. “I want people to recognize what an important and wildly passionate man [Bill] was about the city and its people he loved so fervently. ” The producer was encouraged in his efforts by Ruben Toledo and his late wife, Isabel, to whom the film is dedicated. Ruben and Isabel Toledo. Photo: Lawrence K. Ho / Los Angeles Times via Getty Images The stylish lovebirds, who cherished Cunningham, first met the photographer when they were club-going teenagers and maintained a friendship with him for about 41 years. Who better, then, to talk about the man and the film, than Ruben? When did you first meet Bill? The very first time we met Bill was at Xenon, a dance-a-holic club—dancier than Studio 54 because there were much better DJs. We were just kids, about 14 or 15. We left the club at 3 or 4 in the morning and this long, thin man with a camera chased us out and ran after us down the street and into our car flashing his camera with a great big ear-to-ear smile on his face. Who else but Bill C. would chase some bridge-and-tunnel club kids to take pictures at that hour in the morning? The energy, the focus, the delight was extraordinary. He was captivated by Isabel’s dress, a silvery-white bubble of tulle held up with fishing wire for straps she had made the night before. Bill always had the finest-tuned fashion antenna. That was our very first Bill C. encounter; it was 1975 or 1976. How has fashion changed in the years Bill was capturing it? Fashion is always evolving and changing, but it was much more individualistic at that time; more radical and experiments were greatly welcomed. The whole city was that way, not just the fashion. Crossing borders was the norm and no invitations or need for approval was necessary. Fashion was an improvisational celebration, and Bill C. was very in tune with that vibe. How does Bill’s work relate to the street style phenomenon? He invented it. If not, he was certainly a central founding father. Bill was aware that fashion and street style are dancing partners, sometimes in harmony but usually not. Fashion loves a crowd and style is a loner, but they really need each other to create that dialogue, which makes each richer. How did you get involved in the film? Soon after the sad loss of Bill, while we were all missing him, Mark Bozek phoned us to let us know he had footage of Bill C. talking into the camera for an hour. Isabel and I understood immediately how rare it was for private Bill to speak to anyone about himself for that long. After Mark screened his raw footage for a group of Bill C. ’s old friends and colleagues, we felt this had to be shared in a bigger and deserving way. Bill was a living national treasure, and a document like this doesn’t happen often. What was Bill’s relationship with Isabel? They were birds of a feather: both contrarians, deep feeling, and difficult creators with a hidden sense of humor and the treasure of joy. They rarely agreed on anything but could talk for hours about the cut of a sleeve or the importance of balance. They both fiercely defended their privacy because they valued their independence, which afforded them their freedom. What does it mean to you that the film is dedicated to her? It is a beautiful and gentle tribute to two of the most intriguing, inspiring souls I have ever had the pleasure to know. I fancy them now laughing and dancing and crying together watching us all watch the film. Were you surprised by anything you saw in the film? The biggest surprise is how Bill opened up to Mark in such a personal way, how he revealed his life story and illustrated how he thinks he became the Bill Cunningham we know now from The Times. No one ever knew the complete Bill because he valued his freedom so very much. The more we got to know him through the decades, the more he revealed himself—like an onion, layer by layer—yet we are still surprised by the many sides of Bill. What special talent did Bill bring to his work? His firsthand knowledge. His love of social history. His ability to link genres, eras, and social movements. The humanity he brought to his work. Why do you think people should see the film? It’s a firsthand account of an artist’s life, spoken from the mouth of the artist himself without pretense or vanity, which is so very rare. There are no talking heads, just the voice of the source is the treasure. The brief tour of Bill’s vast photographic archive is a real treat to watch, even as a montage. The recent history we were all lucky enough to live through is passionately and lovingly documented. What is the film’s takeaway? How lucky we are to have an artist as curious and dedicated and focused and passionate as Bill, who left such a rich document of us all. Bill C. was an amazing example of a way of life that has disappeared, and this film is an amazing document of that, the life of a true bohemian creator who lived right at the core of the frantic action for many decades. This film demonstrates, by example, how precious life is, how we all weave together our past, present, and future and are constantly composing our lives. How everything, even the superficial and ethereal things that seem insignificant, have so much weight when they are sincere.

What a blessing to the fashion industry. Nobody wears this stuff. Not the gays. Not the young-uns. Not the elite. If someone does, cool, but it's not news. Most people stop caring about changing fashion with the seasons by the end of their teens. Bill could find fashion anywhere. It doesn't have to be NYC - but that is his long time home and he's able to move around easily. For example: he couldn't get around to everywhere in one night in a city like L.A. on a bike (or even in a car. he's such an inspiration. And, why clog your life up with kitchens and romance if the alternative could be something and someone as wonderful as Bill? Love him and loved this film.

The times of bill cunningham imdb. The Times of Bill cunningham. This has to be fake 🤪. The times of bill cunningham movie. YES Samuel. I enjoy these two episodes so much. So interesting to see photographers shooting on the street and having a conversation like that ! Congrats.

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The Times of Bill Cunningham

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The Times of Bill Cunningham

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